Louis Hock's artwork - films, video tapes, and media installations - have been exhibited in solo shows at numerous national and international art institutions including the Museum of Modern Art in New York, the Whitney Museum of American Art, the Museum of Contemporary Art, Los Angeles, and the San Francisco Museum of Modern Art. In 1986 Hock completed a four part, four-hour video about the life and times of a community of undocumented Mexican workers in southern California, THE MEXICAN TAPES: A Chronicle of Life Outside the Law. The series was broadcast internationally on the PBS in the U.S., BBC in the U.K., and Televisa in Latin America. THE AMERICAN TAPES, a follow up to that series, will be released in 2010. In 1997 Hock also completed a feature-length film, LA MERA FRONTERA. The documentary work, twisted with fiction, offers a contemporary portrait of Nogales, Arizona and Sonora through the lens of the 1918 border battle between the U.S. and Mexico.
Along with various collaborators, including Elizabeth Sisco and David Avalos, Hock has also produced eight public art media events including WELCOME TO AMERICA'S FINEST TOURIST PLANTATION (1988) and ARTE REEMBOLSO / ART REBATE (1993). The later has been transformed into four media installations at five sites: the Puerto Rico Triennial (2004-5), another for the "Work Ethic" traveling exhibition that concluded at the Wexner Center in Ohio (2004), "Money Changes Everything," Schroeder/Romero Gallery, NYC (2006), "Arte≠Vida," Museo Del Barrio, NYC (2008 & traveling), "Arte y Confrontacion, 1910-2010," Museo del Palacio de Bellas Artes, Mexico D.F. (2011 & traveling). The 1988 WTAFTP project was included in "Potentially Harmful - The Art of American Censorship" at Georgia State University (2006) and "Modus Operandi," Art Basel Miami Beach (2010).
Other exhibitions include an installation at La Panaderia in Mexico City (2002), photographs in The International Center of Photography's traveling exhibition and web exhibition (2003-5), "Only Skin Deep," a special event cine-mural screening of Southern California at the Getty Center (2004), one person show "Constructed Evidence: Work by Louis Hock 2000-2005" at the University Art Museum, Cal State Long Beach (2006), and one person / two installation show at the Montalvo Arts Center near San Jose, CA (2009). HOMELAND, a permanent video installation at the Tom Bradley International Terminal of the LAX opens in 2010. Hock lives, works, and teaches in the San Diego, California area.
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